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Knowing Is a Kind of Pain: An Interview with Vaddey Ratner
Vaddey Ratner on memory, narrative history, and storytelling as a means of survival.
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Coffee Corner
Bushra al-Maqtari on how Sana’a, Yemen, has changed. Translated by Sawad Hussain.
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This being the Year of Publishing Women, we are dedicating our first issue to women’s writing, bringing together voices from Mexico, Argentina, Singapore, and the UK.
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Welcome to PEN Transmissions! We are a new online zine dedicated to international writing.
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I am an artist, I get to be my home, my own language, my own culture.
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A woman walked out of Evin Prison in Tehran late one evening. Her face was pale from long confinement but her eyes shone bright.
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I lay back in the grass among fallen trees and the heat of sun on my palm felt like a knife I could use to bleed myself dry with one swift cut to the jugular.
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I am writing this in a prison cell. But I am not in prison. I am a writer.
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Ahmet Altan was imprisoned in Turkey with his brother Mehmet in September 2016. Despite being denied access to receiving and sending written communications, he wrote The Writer’s Paradox for publication on the eve of his trial, which starts on 19 September. We have been campaigning to raise awareness of Ahmet’s plight as part of our…
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This is how my imagination works, I suppose: mysteriously, the process of writing always begins with a place.
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Elena Varvello explores the idea of place as a multitude of characters in her writing.
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Andrew McMillan reads the poetry of Ashraf Fayadh, a Palestinian-born writer and artist imprisoned in Saudi Arabia for his work.
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As Cumhuriyet journalists await their verdict in Turkey, Can Bahadır Yüce pays tribute to his imprisoned colleagues and reflects on the link between populism and anti-intellectualism.
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Exclusive preview of the title poem, ‘If this is a lament’, from a new chapbook of work by Turkish poet Bejan Matur, translated by Jen Hadfield and Canan Marasligil.
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You become an estranged human being, which leads to a certain kind of solitude and loneliness.
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We speak to Danish writer Dorthe Nors about her latest novel Mirror, Shoulder, Signal and its themes of solitude and loneliness in modern urban society.
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Inua Ellams discusses how his heritage and his multi-placed identity laid the foundations for his new collection #Afterhours.
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Elliot Ackerman reflects on the role of fiction in times of conflict. His new novel Dark at the Crossing is published by Daunt Books in April 2017.
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‘Even if you’re 75 years old and haven’t left the city you’ve grown up in, you have migrated through time. To me, it feels like the theme of being human is being a migrant.’
