Yara Rodrigues Fowler on material as a part of reading, the making of zines, and writing there are more things.
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Osman Kavala and the Life of the Mind
Thomas de Waal on sending Osman Kavala books to read in Silivri Prison.
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From Ajdabiya to Rome
Najwa Bin Shatwan on her geographic and writerly journey. Translated by Sawad Hussain.
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Delhi’s Educational Underbelly
Anandi Mishra on Mukherjee Nagar and her journey to writing.
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Something Shadowless, Like You: Nedim Türfent Writes Back to Ai Weiwei from Prison
Kurdish poet and journalist Nedim Türfent responds to Ai Weiwei’s postcard.
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My Character, My Pseudonym, and Me
Fatima Daas on names. Translated by Lara Vergnaud.
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All My Languages
Ariel Saramandi on Mauritius, identity, and the languages in which she writes, thinks and dreams.
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Dwelling in and ‘Writing’ the City
Daniela Hodrová on the city. Translated by Elena Sokol.
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No Memories, Except Memories of a Memory
Sascha A. Akhtar on the literature of South Asia, and young people translating Urdu poetry.
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The Mountbatten Materials: Censoring an Archive
Andrew Lownie on making the Mountbatten diaries and letters public, and the importance of writers’ access to archives.
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Listening to the Flesh: For Tsitsi Dangarembga
Panashe Chigumadzi on Tsitsi Dangarembga, commissioned to celebrate Dangarembga winning the 2021 PEN Pinter Prize.
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Translating Simone de Beauvoir
Lauren Elkin on translating de Beauvoir’s newly discovered novel The Inseparables.
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He Can Hardly Even Be Approached: On Saadat Hasan Manto
Pulitzer Prize-winning poet Vijay Seshadri on Saadat Hasan
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The Great Homeless of Literature
Selahattin Demirtaş on ‘home’, state-sanctioned writing, and what makes literature literature. Translated by Kate Ferguson.
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Journalation
Anna Aslanyan on the perils of translating news.
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To Dearest, Cherished and Longed Amanuel
Yirgalem Fisseha Mebrahtu writes to Amanuel Asrat on his 50th birthday. Translated by Issayas Beyene.
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By Nanthikadal Lagoon, Our Dreams Lie Rusting in the Mud
Shash Trevett on the poetry of Nillanthan.
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My Mother’s Land Is Over
Worapoj Panpong on family, land, and money. Translated from the Thai by Mui Poopoksakul
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EROSION, A6: Notes on the Waikīkī Blackout Poetry Project
Noʻu Revilla, Kanaka Maoli (Native Hawaiian), on the power of ecopoetry
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We Too Are the Trees
Karlo Mila on language, knowledge, and right relationships.
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My Eraser is a Memory
Nayrouz Qarmout writes from Gaza
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Three Years of Solitude
Suad Aldarra’s commission for the 2021 Cúirt International Festival of Literature, part of the PEN x Common Currency residency.
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Those Riding Shotgun
Nadine Anne Hura (Ngāti Hine, Ngāpuhi) on climate, making time, and making people listen.
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Writers’ Contributions to the History of Ideas about Rural England and the Colonial Countryside
Corinne Fowler on how writers and writing explore the colonial histories of the English countryside.
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Why We Choose not to See the Old
Dulce Maria Cardoso on ageing. Translated by Ángel Gurría-Quintana.
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Once Again Our Democracy Is at Stake: Illustrating Orwell
Fido Nesti on adapting Nineteen Eighty-Four into a graphic novel in the shadow of Brazilian populism.
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Translating Emergencies
Sophie Lewis on translating Noémi Lefebvre.
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Spicy’s Story
Omid Tofighian and Behrouz Boochani tell the story of Bangladeshi refugee Spicy – across borders, seas and prisons.
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Working Masks
Kikuko Tsumura on making masks work. Translated by Polly Barton.
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Memories of the Fires
El Salvador’s Claudia Hernández on war, women, and burning. Translated by Julia Sanches.
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