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In the Unlimited Confines of My Creativity, I Was Free: Hannah Branston in Conversation with Ade Adedeji
Hannah Branston and Ade Adedeji on art and activism.
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Leaping Seasons
Hongyu Jasmine Zhu on precious memories with her mother.
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PEN Atlas talks to Per Petterson about violence, absence, and the ongoing popularity of Norwegian literature
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Robert Chandler writes from the first Russian conference on Vasily Grossman, author of the monumental Life and Fate,
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Tasja Dorkofikis interviews Arno Camenish about his bilingual novel,
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Tasja Dorkofikis interviews Arno Camenish about his bilingual novel,
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Elena Ferrante writes for PEN Atlas about the impact of reading Madame Bovary
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Syrian journalist and short story writer Rasha Abbas interrogates the role of art and literature in conflict
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Andrey Kurkov reports on the latest news from Ukraine,
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Michelle Bailat-Jones writes for PEN Atlas about Charles Ferdinand Ramuz, a contemporary of Robert Walser
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Michelle Bailat-Jones writes for PEN Atlas about Charles Ferdinand Ramuz, a contemporary of Robert Walser
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Paulo Scott writes for PEN Atlas about the need for Brazilian authors to move away from stories about ‘white guys, living in the big urban centres’, and how a vain desire for durability has stunted the literature of his country
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To commemorate the centenary of The Great War, PEN Atlas takes us to Belgium
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To commemorate the centenary of The Great War, PEN Atlas takes us to Belgium
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To celebrate International Cat Day, Lena Devani writes from Greece for PEN Atlas
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To celebrate International Cat Day, Lena Devani writes from Greece for PEN Atlas
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Sophie Lewis writes for PEN Atlas about the once sleepy and secluded town of Paraty, Brazil, now home to one of the continent’s best and most varied literary festivals
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Ahmed Masoud writes about his son Zino and his trips to the beach in Gaza
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Nayrouz Qarmout follows her short story for PEN Atlas with a gripping diary piece from the heart of the conflict in Gaza
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A rare and incredibly moving piece of fiction from Gaza, from writer and activist Nayrouz Qarmout
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Tomás González writes for PEN Atlas about the act of literary creation, the qualms over writing about family tragedy, and how one shocking night on a beach in Colombia changed his life
