Iraqi-Dutch novelist speaks to us about writing the asylum process, language and the value of humour.
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Imagining the past – a few notes on the art of the historical novel
Otto de Kat writes for PEN Atlas about the risks and benefits of using history in the novel, a device that when used badly can lead to over-writing and when used well serves the novelist like a butler
Read MoreWhat's authentic about global literature?
Michele Hutchison investigates what the future might hold for the 21st Century novel: provincial literature with a global reach, or the literature of the cosmopolitan flâneur?
Read MoreWhat’s authentic about global literature?
Michele Hutchison investigates what the future might hold for the 21st Century novel: provincial literature with a global reach, or the literature of the cosmopolitan flâneur?
Read MorePEN Atlas Q&A – Gerbrand Bakker, author of The Detour
PEN Atlas Editor, Tasja Dorkofikis talks to Gerbrand Bakker about his novel, The Detour, Wales, and translating Emily Dickinson
Read MorePEN Atlas Q&A – Gerbrand Bakker, author of The Detour
PEN Atlas Editor, Tasja Dorkofikis talks to Gerbrand Bakker about his novel, The Detour, Wales, and translating Emily Dickinson
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