Alex Valente on translating fascism between Italy, the UK and the US.
Read More
Ghosts
Over time, I’ve grown resentful of metaphors tying fascism to spectres. The ghosts of fascism. Il fantasma del fascismo. I hate the immateriality and elegance ghosts suggest, the haunted house charm.
Read More
the fact of experiencing something or being affected by it because of being in a particular situation or place
Your private self is other: you don’t have the intellectual capacity to keep track of it all. Some days you give away more about yourself than you had intended to: you’re untidy, indecently exposed. Sometimes others seem to know more about you than you do.
Read MoreFor sale along with the book
On the occasion of the publication of her latest novel, Elena Ferrante discusses her creative choices and her desire to remain anonymous.
Read MorePEN Atlas Q&A: Roberto Saviano
Investigative reporter Roberto Saviano discusses his latest book Zero Zero Zero, the global cocaine trade, and the personal cost of speaking the truth.
Read MorePEN Atlas Q&A: Margaret Mazzantini
The author of PEN-supported novel Morning Sea discusses links between writing, revolution and dreaming, and Italy’s complex relationship with emigration
Read MoreThe Weight of Language
Elena Ferrante writes for PEN Atlas about the impact of reading Madame Bovary
Read MoreThe Earthquake Method
From constant earthquakes to a Borges story, Giorgio Vasta’s dispatch for PEN Atlas offers an original, honest and illuminating take on the current state of Italy and its politics
Read MoreGrammar and Glamour: On Translating Diego Marani’s New Finnish Grammar
Following our previous PEN Atlas piece by Diego Marani, his English translator Judith Landry talks us through the strange music of Finnish and translation as walking a tight-rope
Read MoreTranslation as a Creative Process
In this week’s PEN Atlas piece, award-winning Italian writer and European Commission official Diego Marani considers the role of the author in the translation process.
Read More