Much of the world around us wants to pretend that it is not pulsing with carnality. Outside of sanctioned times and spaces, we are asked to pretend this energy doesn’t exist. In this way, we are being asked to stem the natural flow of dialogue with ourselves, isolating a central aspect of our being.
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Nowhere in fiction does the found family, or family of choice, exist in such abundance as it does in superhero narratives.
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In this issue of PEN Transmissions, we explore different types of family, different ways of building community.
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I wished I could explain what had happened since we had last met. How people were rounded up late at night and how at sunrise, it looked as though nothing had happened. How dad was imprisoned for his journalism, shot at, exiled to Germany.
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She just doesn’t like the idea of metamorphosis. It terrifies her to picture that some unforeseeable change could take place in her body abruptly and she’d wake up a foreign object.
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You may think of Kafka; you may think of Ovid; you may think of Transformers, of cars turning into terrifying robots.
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